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Blackmagic Design PYXIS 6K Cinema Box Camera

SKU: CINECAMCPYXA60L Category Tags , , , , ,

Fast delivery anywhere in Australia

$4,611.00$5,029.00

  • Full Frame 6K Sensor
  • Up to 6K36 fps Open Gate / 6K Anamorphic
  • 13-Stop Dynamic Range, Dual-Native ISO
  • ARRI PL, L and EF Mounts Available
  • 4″ HDR LCD Touchscreen
  • Records Blackmagic RAW and H.264 Proxies
  • Built-In Streaming via Ethernet or 4G/5G
  • Switchable Side Plates, Mounting Threads
  • Two CFexpress Card Slots, USB-C Port
  • Ethernet and 12G-SDI Ports

Blackmagic PYXIS 6K is an advanced digital film camera with an incredibly versatile design that lets you build the perfect camera rig for your production.

This new model features a 6048 x 4032 full frame HDR sensor with built in optical low pass filter, dual native ISO, dual CFexpress media slots, all in a customizable body with flexible mounting options and side plates.

Available in L, PL and EF fixed mounts that fit a wide range of lens adapters.

Designed for Maximum Customizability!
With multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong.

You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1/4″ and 3/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs.

Large Format Cinematic Digital Film Sensor!
Blackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That’s almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look.

Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions.

Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed.

This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.

Multiple Resolutions and Frame Rates
Blackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K.

You can even shoot stills at 24.6 megapixels! Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI.

For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD.

With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job.

Built In SRT and RTMP Live Streaming
Now you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more.

For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data.

As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD.

If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video.

Now the whole post production team can keep an eye on the shoot, live, while it’s happening

Wireless Bluetooth Camera Remote Control
If you’re positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away.

You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices.

There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions

Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless

Power from Batteries or 12V DC!
Blackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world.

The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery.

When using DC power, a locking connector is used so you won’t have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib

You also get a set of international socket adapters for worldwide use.

Includes DaVinci Resolve Studio
Blackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more.

DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast.

In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application.

Now you can use the the same high end software that professional editors and colorists use!

Included:

  • Blackmagic PYXIS 6K
  • Lens turret dust cap
  • PYXIS Standard Plate
  • PYXIS SSD Plate
  • 60W power supply with locking connector and international adapters
  • Welcome booklet
  • DaVinci Resolve Studio activation key

Effective Sensor Size

36mm x 24mm (Full Frame)

Lens Mount

Active L-Mount.

Lens Control

Iris and focus on supported lenses.

Dynamic Range

13 Stops.

Dual Native ISO

400 and 3200

Shooting Resolutions

6048 x 4032 (Open Gate 3:2) up to 36 fps
4832 x 4032 (Anamorphic 6:5) up to 36 fps
6048 x 3200 (6K DCI 17:9) up to 48 fps
6048 x 2520 (6K 2.4:1) up to 60 fps
4096 x 3072 (Super 35 4:3) up to 50 fps
4096 x 2160 (4K DCI 17:9) up to 60 fps
2112 x 1184 (Super 16 16:9) up to 100 fps
1920 x 1080 (1080 HD 16:9) up to 120 fps

Frame Rates

Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.

Off-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD.

Focus

Auto focus available using compatible lenses.

Iris Control

Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.

Screen Dimensions

4” 1920 x 1080.

Screen Brightness

1500 nits

Screen Type

LCD capacitive touchscreen.

Metadata Support

Automatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings, motion sensor data plus slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.

Controls

Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys.

Timecode Clock

Highly accurate timecode clock. Less than 1 frame drift every 8 hours.

Standards

HD Video Standards

1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60

Ultra HD Video Standards

2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60

SDI Compliance

SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10.

SDI Audio Sampling

Television standard sample rate of 48 kHz and 24‑bit.

HDMI Audio Sampling

Television standard sample rate of 48 kHz and 24‑bit.

Audio

Microphone

Integrated stereo microphone.

Built in Speaker

1 x mono speaker.

Media

Media

2 x CFexpress Type B card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.

Media Format

Can format media to ExFAT (Windows/Mac)or HFS+ (Mac) file systems.

Supported Codecs

Codecs

Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5,
H.264 Proxy in 1920 x 1080, 8-bit 4:2:0

Control

External Control

Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.

iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over Ethernet for external control via HTTP when used with REST client applications such as Postman.

Network Management

NTP

Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.

Web Media Manager

Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.

FTP

Download files from any drive attached to your camera using FTP.

SMB

File sharing using SMB

Storage Features

Storage Type

2 x CFexpress Type B

1 x high speed USB-C expansion port for external media.

Recording Formats

Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6048 x 4032, 4832 x 4032, 6048 x 3200, 6048 x 2520, 4096 x 3072, 4096 x 2160, 2112 x 1184 and 1920 x 1080 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.

Supports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and H.264 Proxies.

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