Australia’s Most Experienced Audio Visual Supplier
Australia’s Most Experienced Audio Visual Supplier
NEED HELP? 1300 287 867
Australia’s Most Experienced Audio Visual Supplier
Australia’s Most Experienced Audio Visual Supplier
NEED HELP? 1300 287 867
Fast delivery anywhere in Australia
Original price was: $495.00.$395.00Current price is: $395.00.
Advance to the DaVinci Resolve Studio video editor for additional creative tools and possibilities! You get a vast range of vital FairlightFX and ResolveFX plugins along with support for 4K, 8K and higher resolution projects at frame rates up to 120 frames per second. DaVinci Resolve Studio 18 video editing software also includes;
You also get access to the innovative DaVinci Neural Engine. It uses state-of-the-art deep neural networks and learning, along with artificial intelligence to influence new features such as;
The DaVinci Neural Engine is completely cross-platform and uses the newest GPU innovations for AI and deep learning to provide supreme performance and quality. The DaVinci Neural Engine provides simple tools to solve complex, time consuming and repetitive problems. For example, it allows facial recognition to routinely sort and organise clips into bins based on people in the shot!
DaVinci Resolve 19 introduces powerful new DaVinci Neural Engine AI tools and over 100 feature upgrades! Editors can work directly with transcribed audio to find speakers and edit timeline clips. Colorists can produce rich film like tones with the ColorSlice six vector palette and produce cinematic images using the new film look creator effect which emulates photometric film processes. In Fairlight, the IntelliTrack AI can be used to track motion and automatically pan audio. VFX artists in Fusion have an expanded set of USD tools plus a new multipoly rotoscoping tool. The cut page has new broadcast replay tools for live multi camera broadcast editing, playout and replay with speed control.
Unlike cloud based software, DaVinci Resolve Studio video editor does not involve a connection to the internet and there are no monthly recurring fees. DaVinci Resolve Studio is less than the cost of prevalent cloud subscriptions, plus, you get Fairlight professional audio tools, Fusion effects and motion graphics, cutting-edge colour correction and complete nonlinear editing. All included in the one easy to buy solution. It’s like getting 4 high end professional applications for the cost of one!
DaVinci Resolve’s Emmy™ award-winning image processing expertise features deep 32-bit float processing combined with unique, patented YRGB colour science that processes luminance independent of colour. This lets you to fine-tune the luminance of video without re-balancing the colour of your shadows, highlights or midtones. The huge inner colour space is ideal for the newest HDR and extensive colour gamut workflows.
Blackmagic RAW is an innovative and contemporary codec that offers you spectacular image quality and furiously fast performance in a smart new file format. Featuring innovative de-mosaic technology and a ground-breaking smart design, Blackmagic RAW offers you both the superiority and benefits of RAW, with the swiftness, ease of use and file sizes of traditional video formats. Blackmagic RAW is a hybrid codec with a smart design that moves a portion of the de-mosaic procedure into the camera where it can be hardware fast-tracked by the camera itself. This allows you very efficient encoding and small file sizes. Blackmagic RAW files are much more than just a modest RAW container since they combine image data along with info about the exclusive features of the camera’s sensor.
This gives you improved image quality even at high compression settings. Plus, you get full control over RAW settings such as custom colour spaces, saturation, contrast, exposure, white balance, and ISO. With Blackmagic RAW you can grade, shoot and edit projects all from a single file format. Blackmagic RAW also comprises;
Picture modifications and settings that you make in the camera will come into DaVinci Resolve video editing software via metadata and are fully editable. You can even make changes to the RAW settings in DaVinci Resolve movie editor, open the files in other applications that support Blackmagic RAW and automatically see the settings. You get a dependable look and controls between software applications, even on different platforms. Blackmagic RAW is the world’s swiftest and highest quality RAW format.
DaVinci Resolve 16 video editor is the world’s only solution that combines audio post production, visual effects, colour correction and professional 8K editing – All in one software tool! You can promptly move amongst audio, effects, colour and editing with a single click.
The DaVinci Resolve Studio video editor is also the only solution intended for multi user teamwork so assistants, colourists, VFX artists and sound designers can all work live on the same project at the same time!
Whether you’re an individual artist or part of a big collective team, it’s easy to see why the DaVinci Resolve video editing software is the standard for high end post production and finishing on more commercials, Hollywood feature films and television shows than any other software.
DaVinci Resolve 19 introduces powerful new DaVinci Neural Engine AI tools and over 100 feature upgrades! Editors can work directly with transcribed audio to find speakers and edit timeline clips. Colorists can produce rich film like tones with the ColorSlice six vector palette and produce cinematic images using the new film look creator effect which emulates photometric film processes. In Fairlight, the IntelliTrack AI can be used to track motion and automatically pan audio. VFX artists in Fusion have an expanded set of USD tools plus a new multipoly rotoscoping tool. The cut page has new broadcast replay tools for live multi camera broadcast editing, playout and replay with speed control.
DaVinci Resolve 19 supports Blackmagic Cloud, so you can host your project libraries on the DaVinci Resolve Project Server in the cloud. Share projects and work collaboratively with editors, colorists, VFX artists and audio engineers on the same project at the same time, anywhere in the world!
The Organizations app lets larger companies define a single organization or company within Blackmagic Cloud. Now you can create groups or teams and quickly share projects to an entire group rather than one by one. You can also manage storage access, share Presentations, and create a single sign on!
The Organizations app also lets you buy or rent DaVinci Resolve Studio licenses. This makes it easier for companies to assign and manage the allocation of licenses within large groups. Licenses can be costed against specific projects and then removed when it’s complete.
The new Blackmagic Proxy Generator App automatically creates and manages proxies from camera originals. Create a watch folder and new media is automatically converted into H.264, H.265 or ProRes proxies to accelerate editing workflows. You can extract proxies into a separate folder for offline work!
Switch between camera original footage and proxies in a single click. With Blackmagic Proxy Generated proxies, DaVinci Resolve knows where in the file tree to find them, instantly linking to the camera originals in the media pool. Edit with proxies, then relink to camera originals to grade!
Multiple Blackmagic cameras can now upload proxy files, followed by the camera originals, to Blackmagic Cloud. With automatic sync to DaVinci Resolve projects, you can start editing and grading quickly using proxies, speeding up your workflow. It’s a fast, seamless and automatic way to collaborate.
DaVinci Resolve 19 adds intelligent media location management, so that when you are collaborating you can quickly link media to your unique file paths. Now you don’t need to manually relink or search for assets when you work remotely. So you have more time for creativity and less time on file admin!
Export your timeline to the Blackmagic Cloud using the new Presentations feature. With Presentations, multiple people can review your timeline, leave comments and even share a live chat. Comments will appear as markers on your DaVinci Resolve timeline, allowing you to act on feedback quickly.
Collaboration with other editors at the same time is now even easier with the new timeline locking operation. This automatic operation prevents two users selecting the same timeline by locking it to the first user without the need to lock the whole timeline bin. Multiple editors can now work on different timelines in the same bin at the same.
DaVinci Resolve video editor contains everything professional editors require to cut commercials, blockbuster films and television shows. It’s ideal for both offline and online editing. The high performance playback engine makes editing and trimming amazingly quick, even for processor rigorous formats such as H.264 and RAW.
Multi Source lets you see all your live cameras, or even just clips in a bin with a common timecode, in a multiview screen to look for any point of interest. You can scrub, play and select shots to add to the timeline or simply play to air. You can even switch live from any of the available angles.
When watching live cameras or a multiview of clips and a signifiant event occurs, capture the moment with a POI marker. The POI is placed on all the clips at that same time so you can quickly find the event on every camera angle, play them to air and even automatically build a highlights timeline.
The pace of live TV is frantic so the replay controls are clear and quick to navigate. Set a POI with a single key, select a camera and cue the event. Then select run to play to air automatically via ATEM. You can switch cameras or once it’s done, simply dump the playout to prepare the next replay.
Stingers are moving graphics and sound transition to let the viewer know you have switched from live to a replay, then back, or even just switched to a new scene. Select auto stingers from the media pool and play in real time at the head and tail of a replay, even when the replay is in slow motion.
Improvements to the transcription workflow make it possible to edit clips based on their transcribed text directly on the timeline! The analyzer is now able to detect multiple voices, allowing you to assign names to different speakers and refine text based search and text replacement operations.
The transcribe feature automatically transcribes video and audio clips! Simply select the clips in the media pool and use the menus to select audio transcription and then transcribe. You can mark in and out points to edit or delete text, generate sub clips, add markers and even remove silence.
The addition of three new menus to the Cut page timeline allows for quicker and more flexible editing. Use the timeline options, timeline actions and edit actions to toggle ripple editing, trim edit points to the playhead, trim to and resync audio, and change the appearance of the timeline and more!
The auto subtitle feature on the Cut and Edit pages transcribes timeline speech to text automatically into a subtitle track on the timeline. To activate, simply click ‘create subtitles from audio’ in the timeline menu. Once analyzed, click the individual captions to modify them in the inspector.
Scene cut detection is now possible directly on the Cut timeline. Simply navigate to the timeline menu and click ‘detect scene cuts’. Selected clips will be analyzed for content and cut points automatically placed on every new edit in the rendered clip. Customers can modify or remove trim points as needed.
On the Cut page, drag the lower part of a clip to separately adjust the audio track, allowing the dialogue to be heard before or continue after the video clip is seen. Editors can creatively focus visual attention on the scene using audio to add interest, drama and even tension to dialogue scenes.
Support for the OpenTimelineIO (OTIO) format makes importing and exporting timelines from other NLE applications faster and easier. OTIO supports metadata for clips, timing, tracks, transitions and markers, as well as information about the order and length of cuts and references to external media.
The AI based voice isolation track FX let’s you remove loud, undesirable sounds from voice recordings. Isolating dialog from background sounds in a recording, you can eliminate everything else from moderate noise to aircraft and explosions leaving only the voice. Voice isolation is perfect for interviews and dialogue recordings from noisy locations.
The dialogue leveler track FX in the inspector processes and smoothes dialogue recordings without the need for tedious level adjustments on clip gain or automation curves. Controls include real time scrolling waveform display, focus presets and three process options which allow you to easily achieve natural sounding results.
With over 250 built in tools, Fusion VFX’s forward-thinking 3D compositing engine and node based workflow let you swiftly link effects and tools together in a flow chart style, making it simple to create cinematic feature film quality visual effects and broadcast motion graphics right inside of DaVinci Resolve!
uVolume lets you directly import volumetric VDB files into Fusion eliminating time consuming conversions. It also adds creative control of imported effects such as smoke, fire, clouds and explosions. You get complete control over density, temperature and color parameters of the VDB file in DaVinci!
The new MultiPoly tool displays all of your masks in a single list eliminating switching between nodes for faster, more accurate rotoscoping! Perfect for complex projects, you can view, select, add to and modify specific shapes, toggle their visibility and adjust parameters all from one location.
Fusion now supports Universal Scene Description files for easier collaboration between VFX artists. USD data such as geometry, lighting, cameras, materials and animation can be imported. Fusion’s new USD tools let you manipulate, re-light and render files using Hydra-based renderers such as Storm.
The new multi-merge tool lets you merge numerous media sources into a single multi layer stack, so it’s easier to create composites by merging clips, stills or graphics using layers. Each layer has its own controls, so you can still change individual properties like position, size and apply modes.
DaVinci Resolve’s fabulous colour tools let you work with colour in incredible ways to get results that are just not possible on other systems. That’s why DaVinci Resolve movie editor has been utilised on more feature films and television shows than any other grading system! You get commanding primary and secondary tools, stabilisation, tracking, curves and more!
UltraNR is a new DaVinci Neural Engine driven denoise mode in the Color page’s spatial noise reduction palette. Use it to dramatically reduce digital noise from a frame while maintaining image clarity. Combine with temporal noise reduction for even more effective denoising in images with motion!
The new Film Look Creator lets you add cinematic looks that replicate film properties like halation, bloom, grain, flicker, gate weave and vignetting. Adjust exposure in stops and use subtractive saturation, richness and split tone controls to achieve looks usually found on the big screen!
The ColorSlice palette uses subtractive color processes to adjust image color density, saturation and hue, allowing you to produce rich filmic colors and looks. Parameters in each customizable vector slice let you enhance and deepen color without spill, in a way that looks naturally pleasing.
The Color page viewer now supports marker overlays and annotations for timeline and clip markers. Open the marker interface to leave written notes with your visual feedback. Select a marker color and thickness, and draw directly in the viewer or use the arrow tool to point to areas of interest.
Corrector nodes in the color page node editor now features composite mode. These composite modes will allow you to affect how node values blend into the pipeline without the need of a layer mixer. This means that your node graph looks cleaner and it’s faster and easier to follow the signal flow.
The new depth map effect lets you instantly generate a 3D depth matte of a scene to quickly grade the foreground separately from the background, and vice versa. You can bring attention to action in the foreground, help interview subjects stand out, or add atmosphere in the background of a scene!
With Fairlight in the DaVinci Resolve video editor, audio is no longer an addendum in post-production! You get a fully unified and commanding digital audio work space with;
The new IntelliTrack AI point tracker lets you automatically generate precision audio panning by tracking people or objects as they move across 2D and 3D spaces! With AI audio panning to video, you can quickly pan multiple actors in a scene, controlling their voice positions in the mix environment!
The AI based dialogue separator FX lets you rebalance dialogue against background sound and the reverberant sound of the room. You get controls for voice, background and ambience so you can reduce, remix or remove competing sounds. It’s perfect for field recordings and interviews in busy locations.
The ducker track FX lets one track auto adjust the level of another track without the need for setting up complex side chain compression or automation curves. You can automatically set music or background noise to lower when dialog is present, then fine tune the audio mix with advanced controls.
Record, mix, monitor and deliver full sphere Ambisonic surround soundtracks! Fully integrated native operation with 1st to 5th order busses and tracks, native effects processing, 2D and 3D spherical panning, binaural and channel based monitoring, dynamic in-viewer metering and head tracking support.
Combine related audio tracks or mixer channels into groups, enabling shared mix automation or editing operations. When creating groups, you can determine the parameters they will share. Groups can be nested, or temporarily suspended to quickly switch focus to smaller groups or individual tracks.
The DaVinci Neural Engine can classify audio clips based on their content, making editing choices faster when reviewing unfamiliar materials. After analysis, audio clips appear in collections bins for dialogue, music and effects with detailed sub categories such as explosions, water or insects.
The Dolby Atmos deliverable toolset has been expanded to support rendering of a binaural output from a complex Dolby Atmos mix. Now a Dolby 7.1.4 mix can be rendered to playback in a pair of headphones while maintaining the immersive sound experience from just two audio channels.
DaVinci Resolve supports the latest industry standard audio formats natively, including immersive audio formats like Dolby Atmos, Auro 3D, MPEG-H, NHK 22.2, and SMPTE. The space view scope displays a real time view of every object and its relationship to the room and other objects in 3D space.
DaVinci Resolve Studio movie editor is the world’s only post-production solution that allows different artists to all work together on the same project at the same time!
With support for cooperative HDR10+ and Dolby Vision projects, each user has access to the HDR and SDR essentials that they need.
Open cooperative projects in read only mode so you can copy and paste resources out of it or examine cuts without upsetting other users.
Each user in a cooperative project can create and manage their own cache files to optimise performance on their system.
Use shared markers to produce, modify and add notes so transitory tasks and ensure that collaboration between users is swift and fool proof.
DaVinci Resolve 19 features some of the most cutting edge technology in the industry today. The DaVinci Neural Engine is an advanced machine learning system powering many of the software’s most powerful tools, and is fully supported in Apple M series and Snapdragon X Elite. Inclusion of the latest version of Dolby Vision means that users can view HDR on supported monitors, including laptops. The future proof DaVinci Wide Gamut and Intermediate log grading environment let you work on media from any source. You can deliver to every projection, monitoring and archiving standard in use today. Plus DaVinci Resolve is the only software that you can use to edit and grade 8K footage in real time!
The advanced machine learning algorithms of the DaVinci Neural Engine are supported on Qualcomm’s new Snapdragon X Elite processor for Windows. NPU acceleration gives you up to 4.7x faster performance of AI tools such as magic mask and 2x faster performance for smart reframe, and more!
Increased Dolby Vision support now includes the latest version of Dolby Vision, which offers HDR viewing on Apple displays that feature high dynamic range options. This includes XDR displays and even the latest laptops, which means you can review, grade and deliver HDR footage from anywhere!
Quickly generate randomized noise data to replicate different types of atmosphere and particle like effects. Use the presets to generate smoke and mist effects. Advanced parameters let you create a distinct appearance or movement in the noise. You can even warp images using the displacement map!
Improved edge strength and filter controls in the edge detect effect produce more natural results than ever. The gamma control allows for cleaner edges and a smoother rolloff. The half edge setting displays either the light or dark side of the edge, allowing for unique sharpening and halo effects.
DaVinci wide gamut and intermediate are timeline color space and gamma standards that provide a universal internal working color space. It’s larger than what cameras can capture, even larger than BT.2020, ARRI wide gamut and ACES AP1. You’ll never lose image quality, no matter where it comes from!
Only DaVinci Resolve supports 8K digital negative debayering editing and grading in real time! Working directly on RAW footage when compositing and grading ensures the most accurate results, to avoid limited resolutions, compression artifacts and banding that might impact your creative decisions!
DaVinci Resolve provides some of the most intelligent AI and advanced feature algorithms available in post production! These tools produce quick, accurate results that will elevate the visual quality of your project while saving you hours of time. The magic mask needs only a single stroke to locate and track people, features, and objects. Smart reframe repurposes footage to dramatically different aspect ratios by recognizing the action in a scene and panning within it. Tools like object removal and the patch replacer allow you to remove unwanted equipment from a scene with the click of a few buttons. Plus the tracker has been the industry leader for over 20 years.
The new IntelliTrack AI is powered by the DaVinci Neural Engine, optimizing tracking and stabilization in the color and Fusion pages. It can also be used in Fairlight to track on screen subjects and automatically generate audio panning within a scene, saving time and producing more immersive audio!
The music remixer track FX lets you adjust music to fit with the style of your show. Controls include mute and level adjustments for voice, drums, base, guitar and more! You can turn a vocal piece into an instrumental, automate changes and refocus the music mix to the instruments you want to hear.
The magic mask palette uses the DaVinci Neural Engine to detect people, tracking their movement in a shot. This person mask produces clean traveling mattes for secondary grades or effects. You can make characters stand out in an under lit shot, or invert the person mask and stylize the background.
This unique upscaling algorithm creates new pixels when increasing the resolution of an image. The newly generated data has more detail in upscaled images than standard resizing controls. Ideal for scaling archival footage into modern resolutions, or upscaling HD footage to match a 4K or 8K project.
Now you can use 16:9 HD or Ultra HD and quickly create square or vertical versions for posting to Instagram and other apps! The DaVinci Neural Engine automatically identifies action and repositions the image inside a new frame so you don’t have to do it manually. You can even fine tune the results!
The Open FX library features over a dozen stylize effects that can artistically modify the content of the image. Ranging from the creative, like pencil sketch, halation and abstraction, to the practical like blanking fill, these effects analyze the content of a shot to produce striking imagery.
The sophisticated face refinement filter uses facial feature recognition to automatically detect and track faces! Use its many parameters for general beauty work, like skin smoothing, for correcting unflattering color casts, and for retouching individual features like eyes, lips and cheeks.
Dead pixels in a camera sensor will often appear as static white dots and could affect hundreds of shots before they are noticed! Click on the white dots in the viewer, and the dead pixel fixer will use the surrounding pixel data to cover them up, rescuing your footage and preventing reshoots!
The perfect tool for covering up moving objects in an otherwise static shot, object removal analyzes a scene and uses the background information to paint out unwanted data. Create a Power Window on a new node, track the unwanted object, and link to the effect node. Watch it vanish before your eyes!
Sample an area of your scene to quickly cover up unwanted elements, like boom mics or even blemishes on a face. The patch replacer has a fantastic auto grading feature that will seamlessly blend the covered area with the surrounding color data, even when there is movement or changes in the light.
When you have a patron looking over your shoulder you need to work swiftly. DaVinci Resolve video editor control panels are intended to give you hands-on, fluid control over numerous parameters at the same time, letting you generate looks that are just not possible with a typical mouse! All controls are sensibly positioned close to your usual hand positions and are made out of the highest quality resources. You get high resolution, smooth, weighted trackballs, along with precision engineered knobs and dials that feature the ideal amount of resistance so you can precisely alter any setting. DaVinci Resolve video editing software control panels allow you to intuitively touch every part of the image!
Fairlight mixing consoles provide high quality controls for almost all parameters and feature in the software. Unique user interfaces and dynamic configuration changes offer quick to utilise buttons and controls that are optimised for the task at hand, letting you work quicker with Fairlight audio than any other tool in the world. With the flexible design you can start with a bigger console frame than you need and add more modules to meet the rising needs of your facility.
DaVinci Resolve movie editor runs on all major platforms so you can use it at home or in a post facility on a Mac, at a broadcast facility running Windows or at a VFX studio on Linux. This gives you the liberty to utilise the platform of our choice, making it simple to assimilate with your current systems and workflows. If you’re running Red Hat or CentOS Linux, you can even shape your own workstation using;
Envisage constructing your own super computer for amazing real time performance!
With all of the diverse workflows and systems out there, you want a post-production solution that’s well-matched and open enough to handle anything! DaVinci Resolve video editor has been intended to work with all major post production software, media types and file formats. You can use AAF, EDLs or XML to move projects between;
Deep integration with Fusion makes it simple to send shots out for VFX work, or you can roundtrip with software such as After Effects. For audio, projects can effortlessly be moved between ProTools and DaVinci Resolve. When you’re on a strict deadline, you can count on DaVinci Resolve to “get the job done!”
Enquire about 'Blackmagic DaVinci Resolve 19 Video Editor Software Only'
Blackmagic DaVinci Resolve 19 Video Editor Software Only
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